3 different clips from FemaleKicks.com
Psychotherapy for Jessica
Clip includes slap, punch to the stomach, neck hold, 2 kicks to the stomach and low blows.
Full HD (1920-1080)
Product length: 14 minutes
Language: Russian with English subtitles
IMPORTANT: This film is similar to Psychotherapy for Tim, it also has a lot of dialogue, the emphasis is on the plot and acting, and not on action. I saw in the reviews for Psychotherapy for Tim that you want to see a maledom movie with Jessica in this outfit. I decided to listen to you and make such a film. I hope you like it, the film turned out to be quite brutal!
Story line:
In the poignant narrative of betrayal and emotional turmoil, Jessica has altered the course of Kevin’s life, showing no remorse for her actions. Now, she embarks on a quest to entice her therapist, Tim. Armed with unwavering self-assurance, Jessica believes no man can resist her allure. Yet, Tim remains steadfast, resisting Jessica’s advances, for Kevin is his dearest friend. Tim, shrewd and astute, feigns falling into Jessica’s trap, creating a facade that conceals the dangerous game she unwittingly enters. Little does she suspect the perilous depths of the entanglement she finds herself in…
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Stacy’s stomach trained by Cyborgs
Clip includes punches.
Full HD (1920-1080)
Product length: 15 minutes
Language: Russian with English subtitles
Custom clip request:
Outline:
Stacy is the fourth agent competing for intelligence missions. Two specially designed Cyborgs (Jack and Nick) try her abdominal resistance with continuous punches in the stomach.
Punches:
All punches go to Stacy’s upper stomach (above the navel, below the ribcage) and they make contact with the body. Most of the punches (not necessarily all of them) go deep and stay for fractions of a second (not bouncing).
Reactions:
Stacy does not scream, cry, whimper or moan (unlike most of her previous clips). She absorbs the punches, containing her suffering. Reactions come out unwillingly, like Jane’s in my customs, or Jessica’s in “6 punches”. Ideally, she imitates Jane’s “minimalist” reactions in my Cyborg custom with her.
Sequence 1
| Action | Stacy’s reactions | Camera |
| Stacy is standing, back against the wall, hands cuffed behind her back. A voice in off says “Agent Stacy, your abdomen’s resistance is going to be tried by our Cyborgs. We will assess your resistance to choose the best agent for our next mission”. Stacy smiles, defiantly. “Agent Stacy, are you ready?”. She says “I am”. The voice says “Cyborgs: start”. The Cyborgs pin Stacy to the wall, each one holding one of her arms, and they start punching her stomach, one each, about a punch every 2 seconds. | Stacy resists well the first punches. She contains her grunts, trying not to let them show. But her body starts to give up, short sounds escaping from her. The blows penetrate her defences and she starts to fold a bit with each punch, then a little further, always containing her grunts. At about 1’ of punching, her body starts to yield and to produce softer sounds. Her head slumps back and her face shows some growing suffering. The Cyborgs straighten keep punching her stomach. When she starts to lose composure and look nauseous, the Cyborgs let her go down. She slides down and sits on the floor, wrapping her arms around her stomach, eyes shut, softly sighing. | Slowly approaching Stacy, then close-ups toggling from her stomach to her face and back. Then back to the front. When she goes down, close-up of her suffering face. |
Sequence 2
| Action | Stacy’s reactions | Camera |
| The voice in off says “Agent Stacy, you need to resist for as long as you can. Are you ready for phase 2?”. Stacy struggles to regain control, slowly standing up, trying to recover her breath. She says “All… right…”. The voice in off says “Cyborg one, hold her. Cyborg two, short fast uppercuts to the pit of her stomach”. The Cyborgs do as they are told, one lying his back against the wall and holding Stacy’s arms, while the other comes very close to Stacy’s body and starts driving short uppercuts into her, at a rate of one per second. | Stacy’s abs flexing is over after the first punches, but she is resilient enough not to fall. Her legs barely hold her anymore, so she lets her chin rest on the punching Cyborg’s shoulder. She is not in control of her body anymore, fighting to keep her eyes open and her sounds under control. But the Cyborg’s punches go deep inside her, and we can see her wincing and forced to heave (draw air in a short rasp). At a certain moment she says “my… stomach…”. The voice in off goes “Cyborg, keep it up”. The punching Cyborg places his fist close to Stacy and starts to drive rapid punches into her. Stacy rapidly loses composure, eyes becoming glassy, only able to utter short “oh” sounds. When she seems to be almost out, the voice calls the punching off and Cyborgs let her go to the floor, where she wraps around herself, softly regaining her breath. Fades off. | Lots of close-ups toggling from Stacy’s stomach to her facial reactions, then to takes from the sides and from below (1m high or lower). Close-up when she goes to the floor, winded. |
Sequence 3
| Action | Stacy’s reactions | Camera |
| Fades in Stacy sitting on a sofa, arms stretched along the back of the sofa, her back pinned by the Cyborgs against the sofa. The voice in off says “Agent Stacy, you successfully avoided faintly in phase 2. Congratulations. Are you ready to go on?”. She says “Wait… let me… recover…”. The voice in off says “Sorry, no pauses. Cyborgs: continue working her stomach over standard speed”. | Stacy is exhausted, and her abdominals are unable to protect her anymore. She endures the punches with resignation, flexing her abs the first seconds, uttering short “ugh” sounds, but eventually yielding to the strength of the Cyborgs. She unwantedly sighs “my… stomach…”. But the voice in off goes “Cyborgs, step up strength”. The stronger punches make Stacy freeze, then double as much as the position will allow to exhale. After a few times the voice says “Cyborgs, prevent her flexing”. The Cyborgs pin her against the back of the sofa and go on. Stacy’s eyes slowly shut, her reactions growing weaker, until the voice in off calls the punching off. Fades off. | Camera toggles from close-ups of Stacy’s stomach to clos-ups of her face. As the punching continues it turns to POV style, then goes back behind the sofa, taking Stacy’s head and body from above. |
Sequence 4
| Action | Stacy’s reactions | Camera |
| Fades in Stacy sitting on a sofa, arms stretched along the back of the sofa, her back pinned by the Cyborgs against the sofa. The voice in off says “Agent Stacy, you successfully avoided faintly in phase 2. Congratulations. Are you ready to go on?”. She says “Wait… let me… recover…”. The voice in off says “Sorry, no pauses. Cyborgs: continue working her stomach over standard speed”. | Stacy is exhausted, and her abdominals are unable to protect her anymore. She endures the punches with resignation, flexing her abs the first seconds, uttering short “ugh” sounds, but eventually yielding to the strength of the Cyborgs. She unwantedly sighs “my… stomach…”. But the voice in off goes “Cyborgs, step up strength”. The stronger punches make Stacy freeze, then double as much as the position will allow to exhale. After a few times the voice says “Cyborgs, prevent her flexing”. The Cyborgs pin her against the back of the sofa and go on. Stacy’s eyes slowly shut, her reactions growing weaker, until the voice in off calls the punching off. Fades off. | Camera toggles from close-ups of Stacy’s stomach to clos-ups of her face. As the punching continues it turns to POV style, then goes back behind the sofa, taking Stacy’s head and body from above. |
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Jessica’s prisoners
Clip includes kicks, punches, baton punches, lowblows and handcuffs.
Full HD (1920-1080)
Product length: 16 minutes
Language: Russian with English subtitles
Custom clip request:
The criminals are arrogant and laughing about the jewalry they have stolen. Spider Jessica comes in and tells them YOU TWO ARE DOING TO JAIL. The criminals laugh at her costume. They say there are TWO OF US AND ONLY ONE OF YOU. One criminal pulls out a fighting stick. More trash talk. Then the fight is on.
I love your fights. You may choreograph and add dialog during the fight. The criminals have the advantage and dominate Jessica.
Jessica delivers some low blows and gets the fighting stick. Jessica delivers kicks, low blows and hits with the stick. The fight ends with the criminals begging for mercy.
Jessica tells the criminals to crawl to the wall. Jessica gets her handcuffs and cuffs the two criminals in front nice and tight. The criminals offer a bribe to go free and Jessica just laughs.
Jessica gets out her phone. Time to have fun with the criminals – they are not arrogant now but unhappy. Jessica has the criminals rattle their cuffs for her video.. Not much noise but fun. Jessica also takes selfies with the captured criminals. The criminals are angry. But what girl can resist posing in handcuffs, especially criminals with the middle finger.
I love a good long perp walk. Jessica pushes the criminals from behind and off to jail.
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